& Evtg Else

Scene from Henri-Georges Clouzot’s Inferno. More surreal images can be found Here.

Scene from Henri-Georges Clouzot’s Inferno. More surreal images can be found Here.


by Ed Van der Elsken

by Ed Van der Elsken

(Source: inneroptics)

by Francis Bruguiere

by Francis Bruguiere

by Didier Ruef

by Didier Ruef

by Éliane Excoffier.

by Éliane Excoffier.

by Pierre Boucher

by Pierre Boucher

CLAUDE CAHUN (LUCY RENÉE MATHILDE SCHWOB)

CLAUDE CAHUN (LUCY RENÉE MATHILDE SCHWOB)

Gotthard Schuh, Bailarina de la opera de Pekin en el camerino, Zürich, 1955.

Gotthard Schuh, Bailarina de la opera de Pekin en el camerino, Zürich, 1955.

Madeline Charlotte Moorman.

Madeline Charlotte Moorman.

Alexey Brodovitch, Le Tricorne Ballet, 1935–37

Alexey Brodovitch, Le Tricorne Ballet, 1935–37

from Shinya Tsukamoto’s Tetsuo: The Iron Man (1989).

from Shinya Tsukamoto’s Tetsuo: The Iron Man (1989).

from The House is Black, 1963.

from The House is Black, 1963.

Lillian Gish, from Victor Sjöström’s masterpiece, The Wind (1928), which tells the story of a sheltered woman named Letty, who lives in Virginia and moves to West Texas to live at her cousin’s ranch in Sweet Water. On her way, she is constantly bothered by the never stopping blowing wind. Wirt Roddy notices and seduces her in the train. He scares her by saying the wind usually drives women crazy. Here is a beautiful scene from the film. 

Lillian Gish, from Victor Sjöström’s masterpiece, The Wind (1928), which tells the story of a sheltered woman named Letty, who lives in Virginia and moves to West Texas to live at her cousin’s ranch in Sweet Water. On her way, she is constantly bothered by the never stopping blowing wind. Wirt Roddy notices and seduces her in the train. He scares her by saying the wind usually drives women crazy. Here is a beautiful scene from the film. 

Scene from The Phantom Carriage, 1921, dir. by Victor Sjöström. This film is known for having been a major influence on Ingmar Bergman. He speaks about it Here. It definitely rings true, considering certain scenes in The Phantom Carriage reminded me of Bergman’s Cries and Whispers.

Scene from The Phantom Carriage, 1921, dir. by Victor Sjöström. This film is known for having been a major influence on Ingmar Bergman. He speaks about it Here. It definitely rings true, considering certain scenes in The Phantom Carriage reminded me of Bergman’s Cries and Whispers.